Janne Wind: Popsalmer - Ny Melodier Til 24 Kendte Og Elskede

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In the Renaissance, harmony is more the result of consonances incidental to the smooth flow of polyphony, while in the early Baroque era the order of these consonances becomes important, for they begin to be felt as chords in a hierarchical, functional tonal scheme.[citation needed] Around 1600 there is considerable blurring of this definition: for example essentially tonal progressions around cadential points in madrigals are noted, while in early monody the feeling of tonality is still rather tenuous.[citation needed] Another distinction between Renaissance and Baroque practice in harmony is the frequency of chord root motion by third in the earlier period, while motion of fourths or fifths predominates later[citation needed] (which partially defines functional tonality).

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Publisher: Wilhelm Hansen (November 3, 2014)

ISBN: 8759886994

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