By Patricia Cornwell
Ruth Bell Graham is called the spouse of evangelist Billy Graham. It used to be Ruth who motivated Billy, as his such a lot relied on life-partner. In Ruth, a Portrait, we meet this attention-grabbing and memorable lady. Brimming with anecdotes, it is a breathtaking trip, with stops at a lot of this century's epoch-making events.
The youth years of the longer term Mrs. Billy Graham have been spent light-years away--in the China of the Nineteen Twenties and Thirties. The daughter of clinical missionaries, she and her kin have been stuck in a crucible of unspeakable problem; as well as pestilence and plague, there has been the volatile political and army turmoil surrounding the Nationalist govt, the Communists, and the japanese invaders. those unsafe realities formed Ruth Bell and her kin, a relatives inured to problems, yet buoyed up by means of their deep trust in God's abiding will.
Virtually raised through the Grahams, the writer is a repository of Ruth Bell Graham's tales and has obvious firsthand the spirit of this brave lady. Patricia Cornwell not just provides readers a whole, rounded, and intimate portrait of Ruth Bell Graham, but additionally perception into the lifetime of the Graham relations and especially Billy Graham.
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Extra resources for Ruth, a Portrait: The story of Ruth Bell Graham
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Make also a horse dragging the dead body of his master, and leaving behind him, in the dust and mud, the track where the body was dragged along.  On Painting 29    30 Beauty, Reason, and Art  On Painting 31  32 Beauty, Reason, and Art  On Painting 33  Make some one shielding his terrified eyes with one hand, the palm towards the enemy, while the other rests on the ground to support his half-raised body. Others represent shouting with their mouths open, and running away.
But painting declines and deteriorates from age to age, when painters have no other standard than painting already done. Hence the painter will produce pictures of small merit if he takes for his standard the pictures of others as was seen in the painters after the Romans who always imitated each other and so their art constantly declined from age to age. But if he will study from natural objects he will bear good fruit.  Many are they who have a taste and love for drawing, but no talent; and this will be discernible in boys who are not diligent and never finish their drawings with shading.